Gregory Lang is an independant curator working mainly with public and private institutions.
From exhibitions including historical artworks to newly commissioned installations, his practice is deeply shaped by the minimal and conceptual arts from the 60s and 70s. In relation to the economy of attention, his philosophical approach centers the perceptive body in space and offers differentiated experiences of time. Consequently, his research that considers humans as part of an ecosystem, expands into the living world and sciences, and to architecture and art in public space.

Gregory Lang curatorial practice and career spans multiple typologies of institutions and geographies. Driven by a versatile approach, he has collaborated within or with prestigious museums and private collections, as well as independent and artist-led initiatives. Similarly, he has expanded his artistic research to different territories, travelling himself or bringing artists or their works to new contexts. Praised for his conceptual rigor and his ability to construct meaningful narratives and experiences for a wide range of contemporary audiences, he reached an international recognition.

His recent exhibitions, as guest curator, have been held either in museums, non-profit spaces, galleries and art fairs: Abstract Constructions, Nassos Daphnis – Rita McBride (cat.) at Fondation CAB in Saint-Paul de Vence (2026), Living Earth at National Visual art school ENSBA La Cambre in Brussels (with Doug Aitken, Gabriela Albergaria, Guillaume Barth, Marcel Broodthaers, Fabiola Burgos Labra, Ariel Delebecque, Esther Denis, Lionel Dury, Barbara Salomé Felgenheuer & Anna Safiatou Touré, Charlotte Gautier Van Tour, Nadia Guerroui, Nathalie Joffre, Adrien Lucca, Eliza Levy, Erwan Mahéo, Luciana Magno, Ximena Maldonado Sanchez, mountaincutters, Coco Neuville, Otobong Nkanga, Damian Ortega, Alexis Pichot, Leonard Pongo, Laure Prouvost, Phiippe Roux, Sebastião Salgado, Fabrice Samyn, Tomás Saraceno, Trevor Yeung), Node-poetry – mountaincutters at Museum of Zoology-ULB in Brussels, Inwards/Outwards – Gorzo (cat.) at MARe – Museum of Recent Art in Bucharest, Biomimetic Stories II – Pierre Jean Giloux (cat.) at Botanique Art Center in Brussels (2025).

In 2024, he curated Palindrome a duo exhibition at Kindred Spirit in Lisbon with duo mountaincutters in dialogue with Rui Calçada Bastos until 28.11.2024 (cat.), and Territoires hétérotopiques a group exhibition at Centre Wallonie-Bruxelles in Paris until 13.11.2024 with visual artists and architecture collectives including Bento, Esther Denis, Nadia Guerroui, Rokko Miyoshi, Vivien Roubaud, Traumnovell, Morgane Tschiember, 21-28°C. These site-specific installations -allow to rethink and re-potentialize the spaces by transforming their standart use.

Early 2024, he was appointed by Art Brussels to curate an exhibition for their 40th anniversary. Through a selection of artists presented at the 60th Venice Biennale, wandering minds represented a mosaic of singular experiences that unveiled deeply personal narratives. Each of them translated their encounters with diverse worlds, offering unique points of view gathered through chosen paths within and beyond their given contexts. (Etel Adnan, Ivan Argote, Julien Creuzet, Edith Dekyndt, Denicolai & Provoost, Sandra Gamarra Heshiki, Sonia Gomes, Romuald Hazoumè, Kiluanji Kia Henda, Kapwani Kiwanga, Kimsooja, Anna Maria Maiolino, Julie Mehretu, Jota Mombaça, Moffat Takadiwa)

Gregory curated a set of 2 exhibitions at Fondation CAB: On the lookout in Brussels, (September 2022 to February 2023 which highlighted the works of contemporary artists exploring color variations with international and Brussels based artists (Irma Blank, Nadia Guerroui, Ann Veronica Jansens, Labau, Adrien Lucca, Dimitri Mallet, Luis Motta, Morgane Tschiember and Pieter Vermeersch); On the approach in Saint-Paul-de-Vence (April to October 2022) with a dozen works from the collection. This selection brought together minimalist artworks by artists American (Dan Flavin, Kenneth Noland, Keith Sonnier, Frank Stella, Anne Truitt) and European artists (Josef Albers, Martin Barré, André Cadere, Ann Veronica Janssens, Imi Knœbel, Claude Rutault, Heimo Zobernig).

The 2021-2022 curated exhibition Inaspettatamente displayed a selection of 315 works by 250 artists over 10 years of acquisition by the collector Frédéric de Goldschmidt. The group show features a selection of the collection through the eyes of Alighiero Boetti and in dialogue with 13 artworks of him, presented in all the buildings of Cloud Seven, downtown Brussels. Until October 2022, 5 rooms of the exhibition are still visible on the theme of order and disorder.

Other recent exhibitions include GIGANTISME – Art & Industrie as a co-guest curator with Géraldine Gourbe for the first Dunkirk Triennial at FRAC Grand Large and LAAC museum; Fernanda Fragateiro and Carlos Bunga: a conversation on lines at FdG projects, Portuguese inclinations (3 solos by Fernanda Fragateiro, Jose Pedro Croft, Rui Calçada Bastos) after Slice and Dice at Irène Laub Gallery in Brussels, Invisible Cities with Pierre Jean Giloux for FWB at Art Brussels; Untitled (Monochrome), 1957-2017 at Richard Taittinger Gallery, in New York, Wanderings at Cristina Guerra, in Lisbon, Xerox and Modus Operandi at Société-d-électricité, A year without image at Anima Ludens, in Brussels, James Lee Byars, part III at Museum Boijmans van Beuningen, in Rotterdam, Artists and Architecture, Variables dimensions at Pavillon de l’Arsenal, in Paris, and MAAT, in Lisbon.

Among recent publications:
Biomimetic Stories – Pierre Jean Giloux, La Lettre Volée and Solang Production – 224 pages
Invisible Cities – Pierre Jean Giloux, Zero2 Editions and Solang Production – 220 pages
On the approach – On the lookout – Fondation CAB – 48 pages
Full House, Mercatofonds and Yale University Press – 304 pages